Ο Μυκηναίος αγγειογράφος των Παπύρων

Abstract

A fragment of a mycenaean crater bearing the representation of a bull in a landscape with papyrus is shown to have been painted by the same hand as a crater in the Louvre. The subject of the representation derives from the cult of the statue of the Athurcow, thus explaining the appearence of the papyri (as an element of Nilotic landscape) in this Levanto-Mycenaean creation.