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dc.creatorAbakoumkin G.en
dc.date.accessioned2023-01-31T07:30:19Z
dc.date.available2023-01-31T07:30:19Z
dc.date.issued2018
dc.identifier.issn17901391
dc.identifier.urihttp://hdl.handle.net/11615/70237
dc.description.abstractPrevious research on voting patterns in the Eurovision Song Contest (ESC) has examined the role of various factors in voting, like cultural proximity or reciprocity between countries. Fewer studies have examined the role of less obvious factors in this context. One such line of research has identified familiarity (as a result of mere exposure) effects in the ESC, that is, songs that were more (vs. less) familiar to the voters did better. In the present study the aim was to extend the familiarity attribute to the country that was represented by the corresponding song. Demographic and economic characteristics of countries were used as indexes denoting familiarity or non-familiarity. Familiarity was found to be related to the countries' results in the ESC, whereas non-familiarity was not. The present findings are discussed together with previous relevant evidence with regard to familiarity effects in the ESC. © 2017 Linethemes - Royal Theme demo.en
dc.language.isoenen
dc.sourceHellenic Journal of Psychologyen
dc.source.urihttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85054023709&partnerID=40&md5=99efa352269afeea6f909704c80f626e
dc.subjectPsychological Society of Northern Greeceen
dc.title"Play it, Sam"1, again and again: Further instances of familiarity effects in the eurovision song contesten
dc.typejournalArticleen


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