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dc.creatorPaparoussi, M.en
dc.date.accessioned2015-11-23T10:44:10Z
dc.date.available2015-11-23T10:44:10Z
dc.date.issued2011
dc.identifier10.3366/ircl.2011.0025
dc.identifier.issn1755-6198
dc.identifier.urihttp://hdl.handle.net/11615/31901
dc.description.abstractThis paper examines Greek writer Eugene Trivizas's 2001 crossover animal fantasy The Last Black Cat, considering the implications of using the trope of the animal both to interrogate the construction of black cats as Other and to challenge examples of prejudice, or rather the grounds of prejudice, discrimination, and scapegoating. Extended consideration is devoted to the ways in which the narrative produces black cats as the marginalised and demonised Other of both humans and other cats, while at the same time it questions the culturally established hierarchy between humans and animals, and the paradigm of animal victim. It is argued that the focus on how the human/animal relations are articulated in Trivizas's novel makes it possible to perceive both the irrationality of the ideology behind the discrimination and the beast in humankind; in others words, by using misfortunes of animals as a tool for social criticism it subverts dominant discriminatory discourses and redefines prevailing ideas of humanity.en
dc.source.uri<Go to ISI>://WOS:000299236400005
dc.subjectAgencyen
dc.subjectanimalen
dc.subjectanimal fantasyen
dc.subjectdiscriminationen
dc.subjectothernessen
dc.subjectscapegoaten
dc.subjectstereotypesen
dc.subjectvictimisationen
dc.subjectLiteratureen
dc.titleOtherness, Discrimination, and Cats in Eugene Trivizas's The Last Black Caten
dc.typejournalArticleen


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